Analysis Of The Crucible And A Scene by Arthur Miller Essay

Analysis Of The Crucible And A Scene by Arthur Miller The Crucible was first produced in 1953 during the McCarthy political witch-hunt. The Crucible is governed around, the corrupted degeneration of society during this sombre period. Arthur Miller saw many parallels in this period with the witch hunt in Salem, Massachusetts in 1692. Most significantly the naà ¯ve yet extremely unjust accusations, the forced confessions and ultimately the growth of such a diminutive event into mass hysteria. These witchcraft trials were classic examples of mass hysteria, resulting in the hanging of countless reputable People on the, charges of transactions with the devil. The people who convicted them were as†¦show more content†¦The great success of this play is profoundly due to the language Arthur Miller has used. It is convincingly old-fashioned; the language is partly based on records of trials in Salem. He manages to balance, the need for plain sentences and the need for authenticity and realism well. He uses He uses archaic terms such as harlet and poppet. He balances out this historical originality by using simple literary techniques, such as simile and metaphor. The use of these two techniques, make his utilisation of double negatives (such as; He cannot discove no medicine for it met in his books) and changing verb tenses (such as; -I know you have not opened with me. He give me nine pound damages.) A great deal easier to comprehend. The language Miller has attributed to each character, very Cleary defines the affluency value of one character in relation to another. Characters such Judge Danforth and Judge Hathorne, who are both near the top of the social hierarchy, will tend to speak in a standard British accent use elaborate phrasing; Mr. hale, as God have not empowered me like Joshua to stop this sun from rising, so I cannot withhold from them the perfection of their punishment. Whereas as someone far less intellectual and of low social stature, such as farmer Giles Corey, will be inclined to speak in a very distinct local intonation. The structure of hisShow MoreRelatedReflection On The Crucible773 Words   |  4 PagesThe Crucible book written by Arthur Miller   based on a real life story that happened in 1692 to 1693 In Salem Massachusetts was based on lies and injustice, genre is play, The authors purpose is to inform the audience about what happened during the witch trials .   The Salem Village w as full Puritans and they was very strict based on church rules. People that missed church regularly will be justified as a witch or malignant and will be put to shame on a stockade. People that break the rules of theRead MoreReflection On The Crucible773 Words   |  4 PagesThe Crucible book written by Arthur Miller based on a real life story that happened in 1692 to 1693 In Salem Massachusetts was based on lies and injustice, genre is play, The authors purpose is to inform the audience about what happened during the witch trials . The Salem Village was full Puritans and they was very strict based on church rules. People that missed church regularly will be justified as a witch or malignant and will be put to shame on a stockade. People that break the rules of theRead MoreAccusation And Defense Of The Salem Witchcraft Trials1658 Words   |  7 PagesSome of the leading cause of the accusation made during the start of the trail were based on his account with Abigail Williams (a bout 12 years of age), who he considers as a lead to the discovery of the witches. 3. Mather s own experience on the scene Abigail was suspected to have been affected by witchcraft as the hysteria she experienced could not be explained by the doctors. In a series of event, Mather concluded that the case was rather a doing of an ungodly realm, which was the invisible worldRead MoreFeminist Approach to Witchcraft; Case Study: Millers the Crucible6554 Words   |  27 PagesTitle: Re(dis)covering the Witches in Arthur Millers The Crucible: A Feminist Reading Author(s): Wendy Schissel Publication Details: Modern Drama 37.3 (Fall 1994): p461-473. Source: Drama Criticism. Vol. 31. Detroit: Gale. From Literature Resource Center. 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